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Winter 2020

 

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English Literature (ENG)
118 Prince Lucien Campbell, 541-346-3911
English
College of Arts & Sciences
C - Previously offered as a different course number; may not be repeated. Contact dept for more info.
G - Pre-major, major, or minor are required to take this course graded to be applied to major/minor requirements
Course Data
  ENG 381M   Film, Media, & Culture >1 >GP >IP 4.00 cr.
Study of film and media as aesthetic objects shaped by a broad range of identity categories, reflecting communities identified by class, gender, race, ethnicity, and sexuality. Multilisted with CINE 381M.
Grading Options: Graded for Majors; Optional for all other students
 
  CRN Avail Max Time Day Location Instructor Notes
  22241 20 20 1000-1150 mw 214 MCK tba GC
Academic Deadlines
Deadline     Last day to:
January 5:   Process a complete drop (100% refund, no W recorded)
January 11:   Drop this course (100% refund, no W recorded; after this date, W's are recorded)
January 11:   Process a complete drop (90% refund, no W recorded; after this date, W's are recorded)
January 12:   Process a complete withdrawal (90% refund, W recorded)
January 12:   Withdraw from this course (100% refund, W recorded)
January 13:   Add this course
January 15:   Last day to change to or from audit
January 19:   Process a complete withdrawal (75% refund, W recorded)
January 19:   Withdraw from this course (75% refund, W recorded)
January 26:   Process a complete withdrawal (50% refund, W recorded)
January 26:   Withdraw from this course (50% refund, W recorded)
February 2:   Process a complete withdrawal (25% refund, W recorded)
February 2:   Withdraw from this course (25% refund, W recorded)
February 23:   Withdraw from this course (0% refund, W recorded)
February 23:   Change grading option for this course
Caution You can't drop your last class using the "Add/Drop" menu in DuckWeb. Go to the “Completely Withdraw from Term/University” link to begin the complete withdrawal process. If you need assistance with a complete drop or a complete withdrawal, please contact the Office of Academic Advising, 101 Oregon Hall, 541-346-3211 (8 a.m. to 5 p.m., Monday through Friday). If you are attempting to completely withdraw after business hours, and have difficulty, please contact the Office of Academic Advising the next business day.

Expanded Course Description
This course studies works of film and media as aesthetic objects that engage with communities identified by class, gender, race, ethnicity, and sexuality. It considers both the effects of prejudice, intolerance and discrimination on media and filmmaking practices and modes of reception that promote cultural pluralism and tolerance. It historicizes traditions of representation in film and media and analyzes works of contemporary film and media to explore the impact and evolution of these practices. Classroom discussion will be organized around course readings, screenings and publicity (interviews, trailers, etc). Assignments will supplement these discussions by providing opportunities to develop critical /analytical /evaluative dialogues and essays about cinematic representation. CINE 381M satisfies the Arts and Letters group requirement by actively engaging students in the ways the discipline of film and media studies has been shaped by the study of a broad range of identity categories, including gender, sexuality, race, ethnicity, and class. By requiring students to analyze and interpret cinematic representation from these perspectives, the course will promote an understanding of film as an art form that exists in relation to its various social contexts. CINE 381M also satisfies the Identity, Pluralism, and Tolerance multicultural requirement by enabling students to develop scholarly insight into the construction of collective identities in the mass media forms of film and television. It will study the effects of prejudice, intolerance and discrimination on mainstream media. Students will study the ways representational conventions, such as stereotypes, have resulted from filmmaking traditions that have excluded voices from varying social and cultural standpoints. The course will also consider filmmaking practices and modes of reception that promote cultural pluralism and tolerance.
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